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by pat
Imagine you could
go back and take the memory of somebody out of your head. Would you? Have
you? If you found out you had, what would that do to you? What if you
were the one removed? This is the basic idea behind ETERNAL SUNSHINE OF
THE SPOTLESS MIND. Charlie Kaufman once again gives us a story that, summed
up in a single sentence, sounds really intriguing, but then you wonder
how an entire movie could be about that, and when you see it you marvel
at how rich the possibilities were, and that the surface may have only
been skimmed, the rest implied to keep us thinking for hours after the
film. I like Mr. Kaufman.
The core logline to the film is: "A man has his mind erased of his
ex-girlfriend, but changes his mind after the troubled time of late have
been removed and he is living in the good times." There's just so
much more. What effect can one have on their personality when they go
in and literally interact and try and understand, if not change, their
memories? Does it make them better? Worse? Do they not change at all?
What is it about somebody that makes a relationship work? Is it the love,
the fights, the proximity, or the distances that make somebody change
when they're with somebody else?
Clementine is a free spirit. This is movie speak for crazy. I know crazy.
I've dated crazy on more than one occasion. Clementine didn't put out
cigarettes on her body, nor did she make strange dolls (oh, wait, she
did) nor did she... okay, there's the cigarette thing, but other than
that, she's so so so much like some of my exes. Others at the screening
admit they've been there too. Maybe us artistic types are attracted to
the unpredictability of crazy, or maybe crazy is drawn to our arty side.
Maybe we're so arty and they're so crazy, we're all that's left when the
saner (more boring) people couple up. Who knows? All I know is that for
as out there a concept as this is, I had no trouble relating to the situation,
which says a lot.
There's too much to go into about the movie without giving important things
away, so I will loosely discuss some stuff while avoiding being specific
about the details, Still, if you want to avoid all knowledge until you
see the movie, which I highly recommend you do, read on at your own risk.
This isn't saying you'll risk any sort of bodily harm, unless you tend
to fall headfirst into your monitor when you read the rough details of
a film. If you suffer from this problem, I would suggest avoiding the
internet altogether.
As Carrey's character, Joel, makes his way backwards through his relationship,
he begins to interact with it. When he reaches a point where things were
still good, the somewhat happy couple try and hide in other places in
his memory. Joel, who had always been very guarded around his girl Clementine,
now has to literally take her to parts of his life he had never shared.
She literally and directly makes him confront some of these things, and
they work together to keep him from regressing, but to deal with his life
like a mature adult, much like she would have had they communicated when
they were actually together. Whether he gets out of the process with any
knowledge of her or not, his whole outlook on life has changed, and many
of those moments in his life are gone or inconsequential now. They don't
spell this out for you, which makes it all the more brilliant.
Okay, this last paragraph was tough to keep spoiler free, but I think
it gets some discussion points on the table. Look deeper into this one,
and watch for all the small details. I'm going to go now. I think it's
time I start dating again, and there's this cute girl I've been seeing
at all my hang outs who just looks really familiar for some reason. I
even think she's a bit crazy.
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CARREY READS THE ENTIRE SCRIPT TO "THE GRINCH"

ISN'T SHE A BIT YOUNG TO HAVE BLUE HAIR ALREADY?

HIS OFFER TO PLAY DOCTOR MET WITH LITERAL RESULTS

BARNES & IGNOBLE

THE SOUND OF THE OCEAN DID NOT HELP THIER INSOMNIA
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